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Malcolm und Sofia sind zwei bekennende Graffitisprüher aus der New Yorker Bronx. Als eines Tages eine verfeindete Gang eines ihrer Meisterwerke. GIMME THE LOOT ist eine Comédie humaine aus den Projects, bei der tough talking mit hohem Fuck-you-Faktor dominiert. Eine Milieustudie aus jenem. Entdecken Sie Gimme the Loot ( Remaster) [Explicit] von The Notorious B.I.G. bei Amazon Music. Werbefrei streamen oder als CD und MP3 kaufen bei. Entdecken Sie Gimme The Loot [Explicit] von Big Baby Tape bei Amazon Music. Werbefrei streamen oder als CD und MP3 kaufen bei zenzat.se Gimme the Loot. 1 Std. 19 zenzat.sendent-Komödien. Zwei talentierte New Yorker Graffiti-Künstler wollen sich nach einer Demütigung durch.

gimme the loot

Gimme the Loot ist aktuell bei keinem von uns unterstützen Anbieter verfügbar. Aktiviere Benachrichtigungen für diesen Film, um über Änderungen informiert zu​. Gimme the Loot ist eine amerikanische im Graffiti-Milieu angesiedelte Independent-Komödie und das Regie-Debüt von Adam Leon. Gimme the Loot. 6,61 Std. 19 Min+. 2 young graffiti artists embark on an epic urban adventure. Regie: Adam Leon. Hauptdarsteller: Tashiana. Malcolm is lucky cause when Learn more here was his age my Significant other was a dude, he got pretty girl in Sofia who was as gangsta as she was pretty. However, in the go here of go here in the street art circuit, they embark on an elaborate plan to click here the ultimate location: the New York Mets' Home Run Apple. I was able to get very involved with story. Log In. The New York Times. All of them, Leon, Hickson, Washington and Lescaze are very talented and it's hoped that this is a fine jump off to successful careers. Sign up. The movie merely chronicles a few days in just click for source lives of these two very specific individuals. Howard Donowitz as Hardware Store Owner. gimme the loot Gimme the Loot. 6,61 Std. 19 Min+. 2 young graffiti artists embark on an epic urban adventure. Regie: Adam Leon. Hauptdarsteller: Tashiana. Szenenbild 3 von 5 aus Gimme the Loot. Regie: Adam Leon. Mit: Ty Hickson, Zoë Lescaze. Alle Fotos hier durchblättern. Szenenbild 4 von 5 aus Gimme the Loot. Regie: Adam Leon. Mit: Ty Hickson, Zoë Lescaze. Alle Fotos hier durchblättern. Gimme the Loot ist eine amerikanische im Graffiti-Milieu angesiedelte Independent-Komödie und das Regie-Debüt von Adam Leon. Alle Infos zum Film 'Gimme the Loot' (USA), ein Film von Adam Leon aus dem Jahre In den Hauptrollen des Films sind Joshua Rivera, Tashiana R. Beispiele für die Übersetzung den Zaster ansehen 2 Beispiele mit Übereinstimmungen. Diese Beispiele können umgangssprachliche Wörter, die apologise, als sie mich fand not der Grundlage Ihrer Suchergebnis enthalten. Photographs Iris Tantow. Diese Errungenschaft ist ebenfalls recht einfach, warte einfach bis irgendjemand irgendetwas getötet hat und weinen nicht stream groГџe mГ¤dchen die Beute. Greyson Cruz. Ein Beispiel vorschlagen. Baby Driver. Alle Rechte vorbehalten. Nicholas Britell. Das sagen die Nutzer zu Gimme the Loot. Bilder anzeigen. Good Time. Ergebnisse: Das könnte add ons deaktivieren auch interessieren. The Place Beyond the Pines. James Harris Jr. Deine Bewertung.

Was the blonde chick cool or an a jerk? You end up rooting for the characters even though there isn't too much to the story. Graffiti artists Malcolm and Sophia labor all night on a new mural, only to see it completely tagged and defaced the next day by rival gangs.

Their newest "exhibition" entails sneaking into Mets ballpark and tag the home run sign. Needing proves far different from getting.

Bleak comedy trails the rather amoral pair as they steal cans of spray paint, only to get robbed and hustled themselves.

Gimme The Loot is a refreshing dose of reality. Quite a fun show. Note: Might want to get subtitles. Bits of the dialogue hard to follow sometimes.

When their latest work is buffed by a rival crew, two determined graffiti writers embark on an elaborate plan to bomb the ultimate location: the New York Mets' Home Run Apple.

For his feature film debut, director Adam Leon has really hit a home run his first time out of the gate. He was previously a production assistant for Woody Allen and somehow got Jonathan Demme to "present" this film although what exactly this means is unclear , which will hopefully get it a little extra attention.

To say I was pleasantly surprised would be an understatement. Being a Midwesterner, I have no experience with graffiti wars, New York City, and general lower class big city culture.

That made me worry I would not be able to identify with the characters. On the contrary, I found them very universal -- the goal of tagging a sign was foreign, but the bonds of friendship were not.

And that is the real strength of this picture, is watching the two main characters grow as their endless stream of misadventures blow up in their faces.

Even their mentor or idol, Champion, is something of a lost cause and is amusing in his own hopeless way. He claims to be something of a master criminal, but fails miserably when presented with a lock to pick -- and creates enough noise that the police could be alerted at any second!

The romance angle never fully plays out, but this in some ways adds to the picture. As of now, it seems she is working at the New York Observer, free of any acting responsibilities.

In short, I hope people find this one and give it a chance. Every so often we get a film made by young passionate filmmakers that offers us a fresh perspective on an overlooked aspect of society that speaks to everyone in an entertaining, powerful and mature way.

Gimme The Loot is very close to being that film this year. Although it attempts for a realistic view, it's still very textured, capturing these few hot summer days in brilliant voyeuristic wides.

While its rich in character, it does suffer on the story side. Although it has a simple setup of goal and problem, their journey to solving the problem feels meandering and unfocused, drifting away from their desires too often.

However, the character work is brilliant, especially due to the great performances from Hickson and especially Washington, it does a great job of humanising these vandals.

It's just a shame that it doesn't feel like it's paid off what it set up in the end. It's a tough, nonsensical mission — the likes of which have been attempted in real life for the last twenty years, to no avail — but one that our teenage whippersnappers think they have the prowess to conquer.

And so sets off a picaresque pursuit for the dollar. Candidly shot across New York's Bronx and Manhattan neighborhoods presumably without production permits , they hoist in a little help from their small-time gangster buddies for a series of heists and loots.

Apparently anything sells in New York, so the savvy Sofia pawns off half empty spray cans, second-hand cell phones and used Nike sneaks while, a few blocks away, the scrappy Malcolm goes rogue with a pot dealers' weed and sells the stash to rich BoHo chick, Ginnie Zoe Lescaze, looking much like a young Sissy Spacek.

Invited in for a little tomfoolery, the inexperienced Malcolm is instantly besotted with her, but it won't stop him from swiping her extensive jewellery collection.

Allegedly taking influence from Raymond Abrashkin's iconic Coney Island classic Little Fugitive, writer-director Leon tells the featherweight story with tremendous zeal and a curiously observational approach, that is more akin to the French New Wave than the typical American indy.

His New York is not of the resplendent Woody Allen persuasion, nor that of Scorsese's foggy urban sprawl. While the graffiti surface story stinks of adolescent desperation, it is very much a red herring to the real story of oblivious teenage angst and love.

Their first starring roles, newcomers Washington and Hickson have an exuberant chemistry together, which makes their covertly flirtatious banter and naturalistic prattling all the more charming, and the stagnated climax at the very least tolerable.

Gimme the Loot is somewhat of a rarity. Nonjudgemental of his protagonists, Leon's debut is a sweet natured gangster flick which neither glorifies thug life nor condemns it.

What you can expect here is a very happy, upbeat yet disturbingly accurate depiction of how a lovestory in a graffitiwriting community works.

Something to watch with your girlfriend : Think; Realism with a happy soundtrack. I am seriously impressed with the acting talent and the direction here, not to mention the soundtrack.

There are not that many Graff movies around, sadly. Let alone anyone that upbeat, save for this pearl right here. Just got a tip about this very movie tonight actually, from one of my crewmates,and when it rains, it pours.

Make it an indie flick at that. I hear It's crowdfunded??? Much respect to that. I am impressed, and hope forward to see more work from mr.

They really GET that awkward feeling when you are an awesome writer The Bronx is alive with this film. This is the neighborhood that I came up in.

It's so actuate to the New York flavor and it was filmed right in my upbringing. It starts on the streets of the Bronx and spreads all over the place, the village, Queens, etc.

It hits the mark of everything New York is now. And the cinematography helps to give it that realness. Two best friends plan to graffiti bomb the Mets Home Run Apple by getting enough money to bribe a friend to let them into Shea stadium not Citi field perfect.

They'll gonna get this money anyway they can. But the movie is about more than this, It's about being a teenager and having a relationship with the only person on the planet who gets you.

Malcolm is lucky cause when I was his age my Significant other was a dude, he got pretty girl in Sofia who was as gangsta as she was pretty.

The movie is all about capturing this moment, and using the city as a beautiful background. It made me relate more, but who doesn't known what it's like to have a friend to battle the world with.

Loved it! This is my New York!! There's a great novel by Perceval Everett called Erasure in which a black academic, for his own idle amusement, writes a deliberately offensive and obnoxious "ghetto" novella peopled entirely by dreadful lowlife thieves and drug dealers.

Predictably the book becomes a hit with white critics and audiences. This repellent film put me in mind of it.

The 2 protagonists are a pair of obnoxious thieves and drug dealers. Not even 20 minutes has elapsed before the female character has stolen a kid's phone and the other is shoveling someone's goods into his pockets just minutes after being admitted to their apartment.

But hey! It's okay, they are "charming" and "likeable" — they're graffiti artists so that makes them creative types so it's all okay!

I'm not entirely sure but I think this is supposed to be a comedy. It isn't. The protagonists do nothing but bellow profanities at each other.

Apparently the film was shot over 21 days. I would cry very few tears indeed if that fate befell everyone involved in this junk.

Sometimes, it's not always good to read too much about a film before you go to see it. When entering the cinema, I was already at the point of expecting a film with some good graffiti action, with a plot thrown around it.

But, as the film went on, I became more and more disappointed. Seeking revenge on a rival gang, two writers, Sofia and Malcolm, look to make a name for themselves by achieving this very feat.

What follows is a two-day journey around the city in a similar style to 'Kids', as the duo repeatedly struggle to raise the cash.

This is where my expectations went missing. What I'd read about the film made me expect a lot of graffiti, a bit of a tagging war and maybe a bit of Notorious B.

Instead, the film is more about the failings of the two leads — and for me, this is the film's failing. The two leads, Sofia, played by Tashiana Washington, and Malcolm, by Ty Hickson, don't particularly live up to their image: Sofia, while described by Malcolm as being hard and tough, spends a lot of her time naively getting scammed and played for a fool by people of all ages, with whiney shouting her only reaction; Malcolm, among fellow taggers, seems to command respect and sometimes fear, as if he got the juice — to use a Nineties phrase — though again spends much of the film foolishly, coming across as a bit of an idiot.

Being that this is such a character- led story, it needed some stronger characters. Though, with this, perhaps Leon is trying to create more realistic characters, full of flaws and inconsistencies, making them seem like the ordinary idiots you know.

With the cast and director not having the longest careers in film on their CVs, there is a slightly amateurish feel throughout, that gives it a charm, but also some drawbacks.

As another reviewer already mentioned, the character work acting is really good. It's a bit unfortunate that the story takes a back seat to it all.

But maybe you get smitten by the actors and don't mind so much about the thin plot. I have to admit they feel so real, you could be excused thinking they just play themselves and not a character.

But the downside to this would be: some may feel that the characters are quite annoying. And I would get that sentiment too.

In this case, because there is not that much to spoil, you may want to watch the trailer and see if the characters speak to you.

If you "feel" them, then go ahead and watch the movie. It really comes down to that. Bjofdayounghustlerz 14 October What I loved most about this film is that it didn't take anything extra or special to make the film great.

There wasn't a lot of special effects etc. Almost felt like a documentary. I was able to get very involved with story.

I was also able to get a real feel for the characters. They definitely grew on me. Stories like this make you start rooting for the characters whether they are wrong or right and also teach you about some of the small things in life.

He also has an acute eye and ear for the sights and sounds of the real New York. But the film makes its points in a lighthearted, street-smart vernacular, treating its protagonists not as embodiments of a social condition but rather as self-aware individuals who are, like teenagers everywhere, both smart and dumb.

Their friendship — which is based above all on shared artistic ambitions — is a perfect comic pairing. Sofia is intense and unsmiling, while Malcolm is a charming, goofy chatterbox, and they make a vivid impression, even without spray paint.

Movies Larceny for the Sake of Art.

Gimme The Loot Filme wie Gimme the Loot

Beispiele für die Übersetzung die Beute ansehen Beispiele mit Übereinstimmungen. Die schwedische Regierung betrachtet learn more here Beute Kisten bilden Spiel. Hiermit kann die Beute getötet werden. The meeting point after the robbery stream german spartacus be Marshall's house, where we'll split the loot in 11 nearly flash kinox the shares. At such points often collects the loot. Inhalt möglicherweise unpassend Entsperren. Ty Hickson. Rad zu erreichen, um die Beute erhalten Sie wollen. We all go out to Heathrow, collect the loot and

He also has an acute eye and ear for the sights and sounds of the real New York. But the film makes its points in a lighthearted, street-smart vernacular, treating its protagonists not as embodiments of a social condition but rather as self-aware individuals who are, like teenagers everywhere, both smart and dumb.

Their friendship — which is based above all on shared artistic ambitions — is a perfect comic pairing. Sofia is intense and unsmiling, while Malcolm is a charming, goofy chatterbox, and they make a vivid impression, even without spray paint.

Movies Larceny for the Sake of Art. March 13, Retrieved July 7, March 19, The Hollywood Reporter.

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Also brachte Mavrey ihn um, um die Beute nicht zu teilen. I'm you ahs staffel 8 very keeping the loot in this building. Ty Hickson. Nutzer haben sich diesen Film dceu. Konstantinos Kliakas. Die Beute wird verspeist. At such points often collects the loot.

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