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Spieglein, Spieglein an der Wand, wer ist die Schönste im ganzen Land? Das Leben der wunderschönen Prinzessin Schneewittchen ist am Hofe ihrer eifersüchtigen Stiefmutter bedroht. Sie findet jedoch sichere Zuflucht bei den liebenswerten sieben. Schneewittchen und die sieben Zwerge (Originaltitel: Snow White and the Seven Dwarfs) ist der erste abendfüllende Zeichentrickfilm der Walt-Disney-Studios. Many translated example sentences containing "snow white and the seven dwarves" – German-English dictionary and search engine for German translations. Many translated example sentences containing "Snow White and the Seven Dwarfs" – German-English dictionary and search engine for German translations. Snow White and the Seven Dwarfs -Disney Genre: Animation Stars the voices of Adriana Caselotti, Harry Stockwell and Lucille La Verne. Directed by David.

snow white and the seven dwarfs

Schneewittchen und die sieben Zwerge (Originaltitel: Snow White and the Seven Dwarfs) ist der erste abendfüllende Zeichentrickfilm der Walt-Disney-Studios. The moving tale of Snow White's escape from her evil stepmother, the enchanting dwarfs that she befriends and her handsome prince. Full-colour illustrations. Disney's famous Snow White is here in a new sticker set. Use the 7 dwarves, the Queen, and others to give your chats a fairy tale charm! Howeverit was not the famous fairy tale read more Snow White and the Seven Dwarves that inspired thembut a local legend about a poor homeless woman https://zenzat.se/serien-stream-app/high-seas-serie.php, Rietschelwho made her living selling firewood that she gathered in the forest. Who would article source like to accompany Little Red Riding Hood on her way to visit her grandmothershare the table with Snow White and the Seven Dwarfs or watch Mother Hulda shaking out her bed?. Tv mockingjay 2 im Bücher für noch mehr Lesestunden. Ein echtes Standbein des Unternehmens waren sie noch nicht. Dies bezieht sich namentlich auf die Multiplan-Kameradie fertiggestellt wurde und im Oscar-prämierten Cartoon The Old Mill getestet wurde. The Queen has returned! Buch bewerten. Er hatte einen kreativen Einfluss auf alles im Film. Maxwell Morgan. David D. Hermann Ebeling. snow white and the seven dwarfs

After the Queen had moved into the castle, her stepmother had made a new rule — no more visitors. Now the Prince had to slip over the palace gate in secret.

He would call out to her from under her window and they could talk a bit that way. Now that she had to run away from home, would she ever see him again?

After Snow White cleaned up the living room, she went upstairs. On the second floor, there were seven little beds lined up in a row, as if for children.

Tired from cleaning, Snow White yawned and lay across all seven of the beds. Soon she fell fast asleep. In the meantime, the Seven Dwarfs were heading home from a long day of working in the jewel mines.

When they opened the door, you can imagine their surprise when they saw their cottage all cleaned up! His name was Dopey. There — lying across all their beds, was a young lady, fast asleep.

Snow White bolted awake. The Seven Dwarfs could tell she was as surprised as they were. Soon they all relaxed and shared their stories.

She told them all about her step-mother. That her stepmother had tried to get the huntsman to kill her, that the huntsman had set her free in the woods, and that she could never go back home again.

I will let everyone know what part they can do, and I will do my share too, of course. The Seven Dwarfs shrugged.

To celebrate their new friendship, Snow White and the Seven Dwarfs sang and danced the night away.

The next morning before they left for work, the Seven Dwarfs warned Snow White she must not open the door to anyone. After all, who knows what evil her stepmother might do?

The princess nodded in agreement, and the Dwarfs left the house. The princess prepared her first reading lesson.

She also prepared a good hot meal for the Seven Dwarfs when they returned home that night. And so the days passed.

Back at the castle, the Queen marched up to her mirror. And an image was shown on the mirror of Snow White living in the cottage of the Seven Dwarfs.

The Queen turned red with rage. At the cottage of the Dwarfs the next afternoon, when the Seven Dwarfs were away at work, there was a knock on the door.

She remembered the warning of the Seven Dwarfs not to open the door to anyone. She took the comb out of her hair and gave it to the old woman, who then gave her the apple.

Snow White took a big bite. Graham would often screen Disney shorts and, along with the animators, pick out both strengths and weaknesses.

For example, Graham criticized Babbit's animation of Abner Countrymouse in The Country Cousin as "taking a few of the obvious actions of a drunk without coordinating the rest of the body", while praising it for maintaining its humor without getting "dirty or mean or vulgar.

The country mouse is always having a good time. Very few of the animators at the Disney studio had had artistic training most had been newspaper cartoonists ; among these few was Grim Natwick who had trained in Europe.

The animator's success in designing and animating Betty Boop for the Fleischer cartoons showed an understanding of human female anatomy, and when Walt hired Natwick he was given female characters to animate almost exclusively.

Attempts to animate Persephone, the female lead of The Goddess of Spring , had proved largely unsuccessful; Natwick's animation of the heroine in Cookie Carnival showed greater promise and was eventually given the task of animating Snow White herself.

Though live-action footage of her, the Prince and the Queen was shot as reference for the animators, many of them disapproved of rotoscoping, considering it to hinder the production of effective caricature.

None of Babbit's animation of the Queen was rotoscoped; despite Graham and Natwick's objections. However, some scenes of Snow White and the Prince were directly traced from the live-action footage.

Artists such as Gustaf Tenggren introduced the influence of European illustrators. He added all these books to the studio library, and a further 90 from France, 81 from England, from Germany and 15 from Italy, were added to the library in July of the same year.

The Disney artists and animators frequently borrowed and referred to the books of the studio library, which could frequently be seen on drawing boards.

Rackham's influence on the style of the film is perhaps the most obvious; his illustrations of gnarled trees coming to life inspired the faces Snow White sees in her flight through the forest, his depictions of dwarfs, gnomes, and goblins played a part in the design of the seven dwarfs, and similarities have been noted between Joe Grant's design for the Witch and the old woman in Rackham's illustration for " Hansel and Gretel ".

However, the other illustrations influenced various different elements of the film. Dore's etchings for Dante's Divine Comedy, in particular, inspired the caverns below the Queen's castle, as did Piranesi 's "Carceri" series.

It is rumored that Disney intended to recruit Rackham for the visual development of Snow White and the Seven Dwarfs , but that the illustrator was too frail to move to America.

An inspirational sketch by Gustaf Tenggren demonstrates the expressionistic use of shadows in the film.

At this time, Disney also encouraged his staff to see a variety of films. These ranged from the mainstream, such as MGM's Romeo and Juliet to which Disney made direct reference in a story meeting pertaining to the scene in which Snow White lies in her glass coffin , to the more obscure, including European silent films.

Calligari both of which were recommended by Disney to his staff can be found in Snow White as well as their future films , particularly in the scenes of Snow White fleeing through the forest and the Queen's transformation into the Witch.

The latter was also inspired by 's Dr. Jekyll and Mr. Hyde , to which Disney made specific reference in story meetings.

The film premiered at the Carthay Circle Theater on December 21 , , to a widely receptive audience many of whom were the same naysayers that dubbed it "Disney's Folly" , who gave it a standing ovation at its completion.

Animator Ward Kimball recalled many people including many celebrities crying towards the end. RKO Radio Pictures put it into general release on February 4 , , and it went on to become a major box-office success, making more money than any other at that time.

It is estimated that more people saw it on its general release than Star Wars. In fact, for a short time, it was the highest-grossing film in American cinema history; it was removed from that spot by Gone With the Wind in A subject of particular criticism was the film's depiction of Snow White, the Queen, and the Prince as realistic human figures, which caused some including successful New York caricaturist Al Hirschfeld to believe that Walt was too closely following live-action and realism, thus rejecting the qualities that made cartoons such as the Silly Symphonies unique.

The staccato movements of Snow White and her cardboard lover, both wired for sound, are distinctly bad influences on this new art form.

To imitate an animated photograph except as satire is in poor taste. Though I admire the skill and organization required to assemble a major effort such as Snow White and the Seven Dwarfs and am properly impressed My primary interest is the proper appreciation of caricature and its applied arts.

Certain scenes in the film, particularly those featuring the Witch, are regarded as some of Disney's most frightening moments.

British censors considered it frightening enough for young viewers to be accompanied by an adult. Animators Frank Thomas and Ollie Johnston felt that Walt restrained his animators from creating such a terrifying villain again.

Later films such as Pinocchio , Fantasia , and Bambi would receive similar accusations for their frightening and intense sequences.

For his achievement in the film, Walt received a full-size Oscar statuette alongside seven miniature ones, presented to him by Shirley Temple ; the film was deemed "as a significant screen innovation which has charmed millions and pioneered a great new entertainment field.

Its consensus states, "With its involving story and characters, vibrant art, and memorable songs, Snow White and the Seven Dwarfs set the animation standard for decades to come.

The film was first re-released in , in order to raise revenue for the Disney studio during World War II This eventually set a tradition of re-releasing Disney animated films every seven years.

It was re-released to theaters in , , , , , , and It was restored for its 50th anniversary re-release, and a more comprehensive digital restoration was done for the re-release.

The film was first released on home video in and was released on Disney DVD in The DVD was the first in Disney's Platinum Edition line of releases, and featured, across two discs, the digitally restored film, a making-of documentary, an audio commentary by John Canemaker and via archived audio clips Walt, and many more special features.

The Blu-ray went into the Disney Vault on April 30 , There have been numerous ideas as to the presence of occult significance or symbolism within the movie, mostly centered around the dwarfs themselves.

For example, one theory holds that they correspond to the seven chakras or cakras and that Snow White represents consciousness moving through them.

Other ideas are less philosophically complex, such as correspondences to the stages inherent in the use of certain drugs. In one theory, Snow White is cocaine, which causes exhaustion Sleepy , mood swings Happy, Grumpy , allergies Sneezy , and alteration of personality Bashful, Dopey eventually resulting in a trip to the doctor Doc.

More on this. The attraction Snow White's Scary Adventures appears in four of the five Disney resorts around the world. Much of the cast also appear as walk-around characters, including Snow White, the Dwarfs, the Prince, and the Queen.

Other appearances in the parks include:. Television: A Poem Is Fandom may earn an affiliate commission on sales made from links on this page.

Sign In Don't have an account? Start a Wiki. Contents [ show ]. Site Looker. Frozen effects on ice and snow and Moana effects Aladdin 2.

My top 10 from the Disney Animated Canon: Categories :. Stream the best stories. Start Your Free Trial. Try Now. Don Graham really knew what he was teaching, and he "showed" you how to do something — he didn't just talk.

He taught us things that were very important for animation. How to simplify our drawings — how to cut out all the unnecessary hen scratching amateurs have a habit of using.

He showed us how to make a drawing look solid. He taught us about tension points — like a bent knee, and how the pant leg comes down from that knee and how important the wrinkles from it are to describe form.

Adjusted for inflation, it is one of the top-ten performers at the North American box office and the highest-grossing animated film.

This award was unique, consisting of one normal-sized, plus seven miniature Oscar statuettes. They were presented to Disney by Shirley Temple.

In , the United States Library of Congress deemed the film "culturally, historically, or aesthetically significant" and selected it as one of the first 25 films for preservation in the National Film Registry.

Disney's take on the fairy tale has had a significant cultural impact, resulting in popular theme park attractions, a video game , and a Broadway musical.

Snow White is a lonely princess living with her stepmother, a vain Queen. The Queen worries that Snow White will be more beautiful than her, so she forces Snow White to work as a scullery maid and asks her Magic Mirror daily "who is the fairest one of all".

For years the mirror always answers that the Queen is, pleasing her. One day, the Magic Mirror informs the Queen that Snow White is now "the fairest" in the land; on that same day, Snow White meets and falls in love with a prince who overhears her singing.

The jealous Queen orders her Huntsman to take Snow White into the forest and kill her. She further demands that the huntsman return with Snow White's heart in a jeweled box as proof of the deed.

However, the Huntsman cannot bring himself to kill Snow White. He tearfully begs for her forgiveness, revealing the Queen wants her dead and urges her to flee into the woods and never look back.

Lost and frightened, the princess is befriended by woodland creatures who lead her to a cottage deep in the woods. Finding seven small chairs in the cottage's dining room, Snow White assumes the cottage is the untidy home of seven orphaned children.

In reality, the cottage belongs to seven adult dwarfs —named Doc, Grumpy, Happy, Sleepy, Bashful, Sneezy, and Dopey—who work in a nearby mine.

Returning home, they are alarmed to find their cottage clean and suspect that an intruder has invaded their home.

The dwarfs find Snow White upstairs, asleep across three of their beds. Snow White awakes to find the dwarfs at her bedside and introduces herself, and all of the dwarfs eventually welcome her into their home after she offers to clean and cook for them.

Snow White keeps house for the dwarfs while they mine for jewels during the day, and at night they all sing, play music and dance.

Meanwhile, the Queen discovers that Snow White is still alive when the mirror again answers that Snow White is the fairest in the land and reveals that the heart in the jeweled box is actually that of a pig.

Using a potion to disguise herself as an old hag , the Queen creates a poisoned apple that will put whoever eats it into the "Sleeping Death", a curse she learns can only be broken by "love's first kiss", but is certain Snow White will be buried alive.

While the Queen goes to the cottage while the dwarfs are away, the animals are wary of her and rush off to find the dwarfs.

Faking a potential heart attack, the Queen tricks Snow White into bringing her into the cottage to rest.

The Queen fools Snow White into biting into the poisoned apple under the pretense that it is a magic apple that grants wishes. As Snow White falls asleep, the Queen proclaims that she is now the fairest of the land.

The dwarfs return with the animals as the Queen leaves the cottage and give chase, trapping her on a cliff.

She tries to roll a boulder over them, but before she can do so, lightning strikes the cliff, causing her to fall to her death.

The dwarfs return to their cottage and find Snow White seemingly dead, being kept in a deathlike slumber by the poison. Unwilling to bury her out of sight in the ground, they instead place her in a glass coffin trimmed with gold in a clearing in the forest.

Together with the woodland creatures, they keep watch over her. A year later, the prince from the beginning of the movie learns of her eternal sleep and visits her coffin.

Saddened by her apparent death, he kisses her, which breaks the spell and awakens her. The dwarfs and animals all rejoice as the Prince takes Snow White to his castle.

Before Snow White and the Seven Dwarfs , the Disney studio had been primarily involved in the production of animated short subjects in the Mickey Mouse and Silly Symphonies series.

Snow White and the Seven Dwarfs was to be the first full-length cel animated feature in motion picture history, [9] and as such Walt Disney had to fight to get the film produced.

Both his brother and business partner Roy Disney and his wife Lillian attempted to talk him out of it, [12] and the Hollywood movie industry referred to the film derisively as "Disney's Folly" while it was in production.

On August 9, , twenty-one pages of notes—entitled "Snowwhite suggestions"—were compiled by staff writer Richard Creedon, suggesting the principal characters, as well as situations and 'gags' for the story.

As Disney had stated at the very beginning of the project, the main attraction of the story for him was the Seven Dwarfs, and their possibilities for "screwiness" and "gags"; the three story meetings held in October and attended by Disney, Creedon, Larry Morey, Albert Hurter, Ted Sears and Pinto Colvig were dominated by such subjects.

At this point, Disney felt that the story should begin with Snow White's discovery of the Cottage of the Seven Dwarfs.

The leader of the dwarfs, required to be pompous, self-important and bumbling, was named Doc; others were named for their distinguishing character traits.

At the end of the October story meetings, however, only Doc, Grumpy, Bashful, Sleepy and Happy of the final seven were named; at this point, Sneezy and Dopey were replaced by 'Jumpy' and an unnamed seventh dwarf.

Along with a focus on the characterizations and comedic possibilities of the dwarfs, Creedon's eighteen-page outline of the story written from the October meetings, featured a continuous flow of gags as well as the Queen's attempt to kill Snow White with a poisoned comb, an element taken from the Grimms' original story.

After persuading Snow White to use the comb, the disguised Queen would have escaped alive, but the dwarfs would have arrived in time to remove it.

After the failure of the comb, the Queen was to have the Prince captured and taken to her dungeon, where she would have come to him story sketches show this event both with the Queen and the Witch and used magic to bring the dungeon's skeletons to life, making them dance for him and identifying one skeleton as "Prince Oswald", an example of the more humorous atmosphere of this original story treatment.

With the Prince refusing to marry her, the Queen leaves him to his death one sketch shows the Prince trapped in a subterranean chamber filling with water [14] as she makes her way to the dwarfs' cottage with the poisoned apple.

The forest animals were to help the Prince escape the Queen's minions and find his horse. The Prince was to ride to the cottage to save Snow White but took the wrong road despite warnings from the forest animals and his horse, whom he, unlike Snow White, could not understand.

He, therefore, would not have arrived in time to save her from the Queen but would have been able to save her with love's first kiss.

This plot was not used in the final film, though many sketches of the scene in the dungeon were made by Ferdinand Hovarth. Other examples of the more comical nature of the story at this point include suggestions for a "fat, batty, cartoon type, self-satisfied" Queen.

Walt Disney encouraged all staff at the studio to contribute to the story, offering five dollars for every 'gag'; such gags included the dwarfs' noses popping over the foot of the bed when they first meet Snow White.

Disney became concerned that such a comical approach would lessen the plausibility of the characters and, sensing that more time was needed for the development of the Queen, advised in an outline circulated on November 6 that attention be paid exclusively to "scenes in which only Snow White, the Dwarfs, and their bird and animal friends appear".

The names and personalities of the dwarfs, however, were still "open to change". A meeting of November 16 resulted in another outline entitled 'Dwarfs Discover Snowwhite', which introduced the character of Dopey, [10] who would ultimately prove to be the most successful and popular of the dwarf characterisations.

Disney did not focus on the project again until the autumn of It is thought that he may have doubted his, and his studio's ability, and that his trip to Europe that summer restored his confidence.

At this point, Disney and his writers focused on the scenes in which Snow White and the dwarfs are introduced to the audience and each other.

He laid out the likely assignments for everyone working on the film in a memorandum of November 25, , and had decided on the personalities of the individual dwarfs.

It had first been thought that the dwarfs would be the main focus of the story, and many sequences were written for the seven characters.

However, at a certain point, it was decided that the main thrust of the story was provided by the relationship between the Queen and Snow White.

The first, which was animated in its entirety before being cut, showed Doc and Grumpy arguing about whether Snow White should stay with them.

Another, also completely animated, would have shown the dwarfs eating soup noisily and messily; Snow White unsuccessfully attempts to teach them how to eat 'like gentlemen'.

A partially animated sequence involved the dwarfs holding a "lodge meeting" in which they try to think of a gift for Snow White; this was to be followed by the elaborate 'bed building sequence', in which the dwarfs and the forest animals construct and carve a bed for the princess.

This also was cut, as it was thought to slow down the movement of the story. The primary authority on the design of the film was concept artist Albert Hurter.

All designs used in the film, from characters' appearances to the look of the rocks in the background, had to meet Hurter's approval before being finalized.

Hovarth developed a number of dark concepts for the film, although many other designs he developed were ultimately rejected by the Disney team as less easily translated into animation than Hurter's.

Tenggren was used as a color stylist and to determine the staging and atmosphere of many of the scenes in the film, as his style borrowed from the likes of Arthur Rackham and John Bauer and thus possessed the European illustration quality that Walt Disney sought.

He also designed the posters for the film and illustrated the press book. However, Hovarth didn't receive a credit for the film.

Other artists to work on the film included Joe Grant , whose most significant contribution was the design for the Queen 's Witch form.

Art Babbitt [17]. Art Babbitt , an animator who joined the Disney studio in , invited seven of his colleagues who worked in the same room as him to come with him to an art class that he himself had set up at his home in the Hollywood Hills.

Though there was no teacher, Babbit had recruited a model to pose for him and his fellow animators as they drew.

These "classes" were held weekly; each week, more animators would come. After three weeks, Walt Disney called Babbit to his office and offered to provide the supplies, working space and models required if the sessions were moved to the studio.

Babbit ran the sessions for a month until animator Hardie Gramatky suggested that they recruit Don Graham ; the art teacher from the Chouinard Institute taught his first class at the studio on November 15, , and was joined by Phil Dike a few weeks later.

Walt Disney in [18]. Though the classes were originally described as a "brutal battle", with neither instructor nor students well-versed in the other's craft, [10] the enthusiasm and energy of both parties made the classes stimulating and beneficial for all involved.

Graham often screened Disney shorts and, along with the animators, provided critique featuring both strengths and weaknesses. For example, Graham criticised Babbit's animation of Abner the mouse in The Country Cousin as "taking a few of the obvious actions of a drunk without coordinating the rest of the body", while praising it for maintaining its humour without getting "dirty or mean or vulgar.

The country mouse is always having a good time". Very few of the animators at the Disney studio had had artistic training most had been newspaper cartoonists ; among these few was Grim Natwick , who had trained in Europe.

The animator's success in designing and animating Betty Boop for Fleischer Studios showed an understanding of human female anatomy, and when Walt Disney hired Natwick he was given female characters to animate almost exclusively.

Attempts to animate Persephone, the female lead of The Goddess of Spring , had proved largely unsuccessful; Natwick's animation of the heroine in Cookie Carnival showed greater promise, and the animator was eventually given the task of animating Snow White herself.

Though live action footage of Snow White, the Prince and the Queen was shot as reference for the animators, the artists' animators disapproved of rotoscoping , considering it to hinder the production of effective caricature.

None of Babbit's animation of the Queen was rotoscoped; [19] despite Graham and Natwick's objections, however, some scenes of Snow White and the Prince were directly traced from the live-action footage.

Cartoonist and character designer Charles Thorson joined Disney in Charles designed Snow White based on an Icelandic waitress he met in the s named Kristin Solvadottir while eating at a diner in his hometown of Winnipeg , Manitoba.

The seventh dwarf, Dopey, came later. It proved difficult to add color to Snow White's and the queen's face. Eventually they found a red dye that worked, and which was added with a small piece of cotton wrapped around a tipple pencil on each individual cel.

Helen Ogger , an employee at the ink department, was also an animator and decided to use the same system used in animation.

The method was so time-consuming that it was never used again on the same scale.

Snow White and the Seven Dwarfs: The Art and Creation of Walt Disney's Classic Animated Film: zenzat.se: Kaufman, J.B.: Fremdsprachige Bücher. The characters from the Disney cartoon movie Snow White and the seven dwarfs. #Brothers_Grimm #cartoon #Disney #dwarf #fairytale #Snow_White. Ladybird Tales: Snow White and the Seven Dwarfs von Penguin Verlag ✓ Kurze Lieferzeit ✓ Jetzt bei tausendkind kaufen! Postcard by Svend Otto S. size X cm. Disney's famous Snow White is here in a new sticker set. Use the 7 dwarves, the Queen, and others to give your chats a fairy tale charm!

Walt revealed, in a magazine article for Photoplay Studies , that, as a boy, he had saved some of the money from his newspaper round to see a play of Snow White.

In fact, he was referring not to a play but a film, starring Marguerite Clark, which he saw in a free showing in the theatre Kansas City Convention Centre in ; he was sitting in one of the top galleries of the theatre.

It is unknown whether the film was available for reference during the production of Disney's feature. He first revealed his plans for it to his key animators after dinner one evening in , when he gave each of his key animators fifty cents, took them out to dinner, after which he took them to the studio's sound stage, where he told them the entire story, acting out every part.

Despite being impressed with Walt's idea, the animators were still nervous that an animated feature would not sustain an audience's full attention.

Many in Hollywood were even more skeptical, christening the project 'Disney's Folly'. Even Roy and Walt's wife, Lillian , attempted to discourage him from continuing the film.

An article of June 3 , , reported presumably jokingly that "If, after it is made, he thinks it will disappoint the public, he will destroy it.

That same year, it appears Walt had planned to have it completed by early On August 9 , , twenty-one pages of notes - entitled "Snow White suggestions" - were compiled by staff writer Richard Creedon who suggested the principal characters, as well as situations and 'gags' for the story.

As Walt had stated at the very beginning of the project, the main attraction of the story for him was the Seven Dwarfs, and their possibilities for 'screwiness' and 'gags'; the three-story meetings held in October and attended by Disney, Creedon, Larry Morey , Albert Hurter , Ted Sears, and Pinto Colvig were dominated by such subjects.

At this point, Walt felt the story should begin with Snow White's discovery of the dwarfs' cottage. Walt had suggested from the very beginning that each of the dwarfs, whose names are not stated in the original story, could all have individual personalities.

The seven finalists were chosen through a process of elimination. Their leader, required to be pompous, self-important and bumbling, was named Doc; others were named for their distinguishing character traits.

At the end of the October story meetings, however, only Doc , Grumpy , Bashful , Sleepy , and Happy of the final seven were named; at this point, Sneezy and Dopey were replaced by 'Jumpy' and an unnamed seventh dwarf.

Along with a focus on the characterizations and comedic possibilities of the dwarfs, Creedon's page outline of the story written from the October meetings, featured a continuous flow of gags as well as the Queen's attempt to kill Snow White with a poisoned comb, taken from the Grimms' fairy tale.

After persuading her to use it, the disguised Queen would have escaped alive, but the dwarfs would have arrived in time to remove it. After the failure of the comb, the Queen was to have the Prince captured and taken to her dungeon, where she would have come to him story sketches show this event both with the Queen and the Witch and used magic to bring the dungeon's skeletons to life, making them dance for him and identifying one as 'Prince Oswald' an example of the more humorous atmosphere of this story treatment.

It is written in the story notes that the Queen has such magical power only in her own domain, the castle. With the Prince refusing to marry her, she leaves him to his death one sketch shows him trapped in a subterranean chamber filling with water as she makes her way to the dwarfs' cottage with the poisoned apple.

The forest animals were to help the Prince escape her minions and find his horse. He would then ride to the cottage to save Snow White, but took the wrong road despite warnings from the forest animals and his horse, which he, unlike Snow White, could not understand.

He, therefore, would not have arrived in time to save her from the Queen. This plot would not be used in the final film, though many sketches of the scene in the dungeon were made by Ferdinand Hovarth.

Other examples of the more comical nature of the story at this point include suggestions for gags with the Witch's warts and a "fat, batty, cartoon type, self-satisfied" Queen.

The Prince was also more of a clown and was to serenade Snow White in a more comical fashion. Walt encouraged all staff at the studio to contribute to the story, offering five dollars for every 'gag'; such gags included the dwarfs' noses popping over the foot of the bed when they first meet Snow White.

A sketch by Ferdinand Hovarth of the Witch imprisoning the Prince in a torture device. However, Walt was concerned that such a comical approach would lessen the plausibility of the characters and, sensing that more time was needed for the development of the Queen, advised in an outline circulated on November 6 that attention be paid exclusively to "scenes in which only Snow White, the Dwarfs, and their bird and animal friends appear.

For the rest of , Walt further developed the story by himself, finding a dilemma in the characterization of the Queen, who he felt could no longer be "fat" and "batty", but a "stately beautiful type" a possibility already brought up in previous story meetings.

He did not focus on the project again until fall ; it is thought that he may have doubted his studios' ability and that his trip to Europe that summer had restored his confidence.

At this point, he and his writers focused on the scenes in which Snow White and the dwarfs are introduced to the audience and each other.

He laid out the likely assignments for everyone working on the film in a memorandum of November 25 , , and had decided on the personalities of the individual dwarfs.

Originally, the meeting between Snow White and the Prince was to be more comical in nature. Though it had first been thought that the dwarfs would be the main focus of the story, and many sequences were written for the seven characters; at a certain point, it was decided that the main thrust of the story should be provided by the relationship between the Queen and Snow White.

For this reason, several sequences featuring the dwarfs were cut from the film. The first, which was animated in its entirety before being cut, showed Doc and Grumpy arguing about whether Snow White should stay with them.

Another, also completely animated, would have shown the dwarfs eating soup noisily and messily; Snow White unsuccessfully attempts to teach them how to eat 'like gentlemen'.

A partially animated sequence involved the dwarfs holding a 'lodge meeting' in which they try to think of a gift for Snow White; this was to be followed by the elaborate 'bed building sequence', in which the dwarfs and the forest animals construct and carve a bed for Snow White, but was cut, as it was thought to slow down the movement of the story.

The soup-eating and bed-building sequences were animated by Ward Kimball , who was sufficiently discouraged by their removal to consider leaving the studio, though he ultimately decided to remain.

The primary authority on the design of the film was inspirational sketch artist Albert Hurter. All designs used in it, from character's appearances to the look of the rocks in the background, had to meet Hurter's approval before being finalized.

Two other inspirational sketch artists contributed to the visual style of the film: Ferdinand Hovarth whose designs were often thought not to be as easily translated into animation as Hurter's, but who produced a number of dark concepts for the film and Gustaf Tenggren , whose style borrowed from the likes of Arthur Rackham and John Bauer and thus possessed the European illustration quality that Walt was interested in.

Tenggren was used primarily as a color stylist and to determine the staging and atmosphere of many of the scenes in the film.

He also designed the poster for it and illustrated the press book. However, only Hurter receives a credit for it, as a character designer.

Other artists to work on the film included Joe Grant , whose most significant contribution was the design for the Queen's witch form.

Art Babbit , an animator who joined the Disney studio in invited seven of his colleagues who all worked in the same room as him to an art class that he himself had set up at his home in the Hollywood Hills.

Though there was no teacher, he had recruited a model to pose for him and his fellow animators as they drew.

These 'classes' were held weekly; each week, more animators would come. After three weeks, Walt called him to his office and offered to provide the supplies, working space, and models required if the sessions were moved to the studio.

He ran the sessions for a month until animator Hardie Gramatky suggested that they recruit Don Graham the art teacher from the Chouinard Institute taught his first class at the studio on November 15 , , and was joined by Phil Dike a few weeks later.

These classes were principally concerned with human anatomy and movement, though instruction later included action analysis, animal anatomy, and acting.

Though the classes were originally described as a "brutal battle", with neither instructor nor students well learned in the other's craft, the enthusiasm, and energy of both parties made the classes stimulating and beneficial for all involved.

Graham would often screen Disney shorts and, along with the animators, pick out both strengths and weaknesses. For example, Graham criticized Babbit's animation of Abner Countrymouse in The Country Cousin as "taking a few of the obvious actions of a drunk without coordinating the rest of the body", while praising it for maintaining its humor without getting "dirty or mean or vulgar.

The country mouse is always having a good time. Very few of the animators at the Disney studio had had artistic training most had been newspaper cartoonists ; among these few was Grim Natwick who had trained in Europe.

The animator's success in designing and animating Betty Boop for the Fleischer cartoons showed an understanding of human female anatomy, and when Walt hired Natwick he was given female characters to animate almost exclusively.

Attempts to animate Persephone, the female lead of The Goddess of Spring , had proved largely unsuccessful; Natwick's animation of the heroine in Cookie Carnival showed greater promise and was eventually given the task of animating Snow White herself.

Though live-action footage of her, the Prince and the Queen was shot as reference for the animators, many of them disapproved of rotoscoping, considering it to hinder the production of effective caricature.

None of Babbit's animation of the Queen was rotoscoped; despite Graham and Natwick's objections. However, some scenes of Snow White and the Prince were directly traced from the live-action footage.

Artists such as Gustaf Tenggren introduced the influence of European illustrators. He added all these books to the studio library, and a further 90 from France, 81 from England, from Germany and 15 from Italy, were added to the library in July of the same year.

The Disney artists and animators frequently borrowed and referred to the books of the studio library, which could frequently be seen on drawing boards.

Rackham's influence on the style of the film is perhaps the most obvious; his illustrations of gnarled trees coming to life inspired the faces Snow White sees in her flight through the forest, his depictions of dwarfs, gnomes, and goblins played a part in the design of the seven dwarfs, and similarities have been noted between Joe Grant's design for the Witch and the old woman in Rackham's illustration for " Hansel and Gretel ".

However, the other illustrations influenced various different elements of the film. Dore's etchings for Dante's Divine Comedy, in particular, inspired the caverns below the Queen's castle, as did Piranesi 's "Carceri" series.

It is rumored that Disney intended to recruit Rackham for the visual development of Snow White and the Seven Dwarfs , but that the illustrator was too frail to move to America.

An inspirational sketch by Gustaf Tenggren demonstrates the expressionistic use of shadows in the film. At this time, Disney also encouraged his staff to see a variety of films.

These ranged from the mainstream, such as MGM's Romeo and Juliet to which Disney made direct reference in a story meeting pertaining to the scene in which Snow White lies in her glass coffin , to the more obscure, including European silent films.

Calligari both of which were recommended by Disney to his staff can be found in Snow White as well as their future films , particularly in the scenes of Snow White fleeing through the forest and the Queen's transformation into the Witch.

The latter was also inspired by 's Dr. Jekyll and Mr. Hyde , to which Disney made specific reference in story meetings.

The film premiered at the Carthay Circle Theater on December 21 , , to a widely receptive audience many of whom were the same naysayers that dubbed it "Disney's Folly" , who gave it a standing ovation at its completion.

Animator Ward Kimball recalled many people including many celebrities crying towards the end.

RKO Radio Pictures put it into general release on February 4 , , and it went on to become a major box-office success, making more money than any other at that time.

It is estimated that more people saw it on its general release than Star Wars. In fact, for a short time, it was the highest-grossing film in American cinema history; it was removed from that spot by Gone With the Wind in A subject of particular criticism was the film's depiction of Snow White, the Queen, and the Prince as realistic human figures, which caused some including successful New York caricaturist Al Hirschfeld to believe that Walt was too closely following live-action and realism, thus rejecting the qualities that made cartoons such as the Silly Symphonies unique.

The staccato movements of Snow White and her cardboard lover, both wired for sound, are distinctly bad influences on this new art form.

To imitate an animated photograph except as satire is in poor taste. Though I admire the skill and organization required to assemble a major effort such as Snow White and the Seven Dwarfs and am properly impressed My primary interest is the proper appreciation of caricature and its applied arts.

Certain scenes in the film, particularly those featuring the Witch, are regarded as some of Disney's most frightening moments.

British censors considered it frightening enough for young viewers to be accompanied by an adult. Animators Frank Thomas and Ollie Johnston felt that Walt restrained his animators from creating such a terrifying villain again.

Later films such as Pinocchio , Fantasia , and Bambi would receive similar accusations for their frightening and intense sequences.

For his achievement in the film, Walt received a full-size Oscar statuette alongside seven miniature ones, presented to him by Shirley Temple ; the film was deemed "as a significant screen innovation which has charmed millions and pioneered a great new entertainment field.

Its consensus states, "With its involving story and characters, vibrant art, and memorable songs, Snow White and the Seven Dwarfs set the animation standard for decades to come.

The film was first re-released in , in order to raise revenue for the Disney studio during World War II This eventually set a tradition of re-releasing Disney animated films every seven years.

It was re-released to theaters in , , , , , , and It was restored for its 50th anniversary re-release, and a more comprehensive digital restoration was done for the re-release.

The film was first released on home video in and was released on Disney DVD in The DVD was the first in Disney's Platinum Edition line of releases, and featured, across two discs, the digitally restored film, a making-of documentary, an audio commentary by John Canemaker and via archived audio clips Walt, and many more special features.

The Blu-ray went into the Disney Vault on April 30 , There have been numerous ideas as to the presence of occult significance or symbolism within the movie, mostly centered around the dwarfs themselves.

For example, one theory holds that they correspond to the seven chakras or cakras and that Snow White represents consciousness moving through them.

Other ideas are less philosophically complex, such as correspondences to the stages inherent in the use of certain drugs. In one theory, Snow White is cocaine, which causes exhaustion Sleepy , mood swings Happy, Grumpy , allergies Sneezy , and alteration of personality Bashful, Dopey eventually resulting in a trip to the doctor Doc.

More on this. The attraction Snow White's Scary Adventures appears in four of the five Disney resorts around the world.

Much of the cast also appear as walk-around characters, including Snow White, the Dwarfs, the Prince, and the Queen. Wendy and her brothers are whisked away to the magical world of Neverland with the hero of their stories, Peter Pan.

Ridiculed because of his enormous ears, a young circus elephant is assisted by a mouse to achieve his full potential. Alice stumbles into the world of Wonderland.

Will she get home? Not if the Queen of Hearts has her way. When a litter of Dalmatian puppies are abducted by the minions of Cruella de Vil, the parents must find them before she uses them for a diabolical fashion statement.

Bagheera the Panther and Baloo the Bear have a difficult time trying to convince a boy to leave the jungle for human civilization.

A mermaid princess makes a Faustian bargain in an attempt to become human and win a prince's love. The beautiful and kindhearted princess Snow White charms every creature in the kingdom except one - her jealous stepmother, the Queen.

But when the Queen tricks Snow White with an enchanted apple, only the magic of true love's kiss can save her. This was Walt Disney's first animated full-length movie.

I've read where it took somewhere between two to five years to make, and the artwork still stands up to today's standards.

It still looks good, especially with today's DVD technology and great-looking television sets. This film, along with Bambi, exhibit some fantastic watercolor-type artwork with the latter being ever more spectacular than this one.

The story is "cute" because of the seven dwarfs. The evil character - the queen - doesn't have that big a role so most of the time it's just a sweet, enjoyable film with nice characters.

It's one of the those movies that makes you feel good as you are watching it. To be honest, some of the scenes lag a bit and Snow White's operatic voice is a bit much for me, but those are the only complaints I could find in this classic film, one of the best ever from Disney.

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Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Exiled into the dangerous forest by her wicked stepmother, a princess is rescued by seven dwarf miners who make her part of their household.

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Nominated for 1 Oscar. Edit Cast Uncredited cast: Roy Atwell Doc voice uncredited Stuart Buchanan Huntsman voice uncredited Adriana Caselotti Snow White voice uncredited Eddie Collins Birds voice uncredited Billy Gilbert Sneezy voice uncredited Otis Harlan Happy voice uncredited Lucille La Verne Yodeling voice uncredited Scotty Mattraw Bashful voice uncredited Moroni Olsen Magic Mirror voice uncredited Purv Pullen Birds voice uncredited Harry Stockwell Prince voice uncredited Bill Thompson Learn more More Like This.

Cinderella Animation Family Fantasy. Pinocchio Animation Comedy Family. Directors: Norman Ferguson, T.

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Snow White And The Seven Dwarfs Video

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Snow White And The Seven Dwarfs Video

Snow White and the Seven Dwarfs #Shelley Duvall's Faerie Tale Theatre

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